ANNOUNCING MtyMx: ALL AGES FESTIVAL OF ART AND MUSIC - Organized by Todd P & Yo Garage
February 8th, 2010

Going down in Monterrey, Mexico from March 20 - 22

Autocinema Las Torres, Monterrey, MX

JUST ADDED: Andrew W.K., Acid Mothers Temple (JAPAN), High Places, Ratas del Vaticano (MX), Telepathe, Pictureplane, Explode Into Colors, XYX (MX), TV Ghost, Teengirl Fantasy, Chikita Violenta (MX), Tanlines, Hunx and His Punx, Lucky Dragons

List of confirmed bands already includes: Dan Deacon, No Age, Neon Indian, Toro Y Moi, Washed Out, F***ed Up, Das Racist, Lemonade, Thee Oh Sees, Pocahaunted, Indian Jewelry, Male Bonding, Best Fwends, Banjo or Freakout!, DD/MM/YYYY, Small Black and Liturgy, plus Mexican bands Los Fancy Free, Los Margaritos, Quiero Club, Los Llamarada and many many more!

Buy A 3-Day Festival Pass ($30 USD) here: tinyurl.com/mtymx3dtix
mtymx

**PLEASE CONTACT US WITH ANY PROMO, INTERVIEW OR LIST REQUESTS**


FOR IMMEDIATE RELEASE:

MtyMx ALL AGES FESTIVAL OF ART AND MUSIC
Organized by Todd P & Yo Garage
with Ric Leichtung, Fiona Campbell, & Jesse Hlebo

March 20th-22nd 2010 // 12pm - 12am //
Avenida Lazaro Cárdenas @ Avenida las Torres, Monterrey, Nuevo León Mexico
MAP: tinyurl.com/mtytxsite


TOURING SOUTH

For the past 4 years, Todd P and countless volunteers have organized an independent festival during SXSW at Ms. Bea’s in Austin, Texas. With over 100 bands featured and a crowd in excess of 2500 people, Ms. Bea’s has consistently provided a free, all-ages alternative to the badges and wristbands of 6th Street. This year, Todd is packing up, joining forces with Monterrey, Mexico-based Independent promoters Yo Garage, and introducing a new post SXSW tour routing direction: South!

Monterrey, Mexico is roughly the same distance as other “next stop on your tour” cities like Dallas, Houston, New Orleans, El Paso, etc.. The idea of the festival is to provide bands with another option during those 3-4 days after SXSW, where they risk playing under attended, money losing shows because a) it’s spring break, b) it’s a Sunday night in Oklahoma City and c) every other band in the world is also trying to play a show on a Sunday night in Oklahoma City!

3 DAYS + 75 BANDS + US, MEXICAN, & INTERNATIONAL BANDS TOGETHER

The MtyMx Festival will begin at noon on Saturday, March 20th (overlapping with the final day of SXSW), continuing until midnight, on Saturday, Sunday and Monday. Up to 25 bands a day will play staggered (no overlapping sets) on 2 stages, both featuring professional, festival quality sound. The festival will be $30 USD (roughly 390 pesos) for a 3-day pass, all-ages, and will include musical artists from all over the world, with fully one third of the bands booked hailing from within Mexico. Because of restrictive US border controls, Mexican national bands rarely get the chance to play alongside international acts or in front of international audiences.

OUTDOORS AT A DRIVE-IN MOVIE THEATER ON THE SIDE OF A MOUNTAIN

The venue is spectacular: “Autocinema Las Torres” is a drive-in movie theater on the side of a mountain, overlooking Monterrey’s old city towards the foothills of the Sierra Madre Oriental and Monterrey’s signature mountain “La Silla.” This site is a regular location for concerts, raves, parties and other large-scale events.

The space can host 5,000+ people, features modern toilet facilities, on-site ambulance for emergencies, professional security, secure on-site parking, a vintage concession stand, local food vendor trucks (i.e. some of the finest tacos in Northern Mexico!), and a full bar.

WORLD CLASS VISUAL ART

Surrounding the perimeter of the site will be mural pieces by prominent U.S., European and Latin American artists curated by Jesse Hlebo in the spirit of our NYC arts and all ages events publication “Showpaper.” Confirmed artists include Rudy Shepherd, Stephanie Davidson, Sumi Ink Club, Jesse Spears, Dena Yago, Shalo P, Katja Mater, JD Beltran + more added daily. Further, we will utilize the site’s classic, curved drive in movie screen to show avant video works.

DISCOUNT LODGING AVAILABLE

Lodging options will include the Fundador Hotel, a three star-rated 76 room hotel available at low cost via the festival, located in Monterrey’s historic Barrio Antiguo colonial district. Lower cost on-site camping will also be available, with tents available for rent and a late night “tent city” bar with DJs and fun!

EASY BUS TRAVEL TO & FROM AUSTIN, TEXAS

The festival will also be providing a reduced cost, no-frills bus service from Austin to Monterrey and back. The first bus will be an “after bar red-eye” bus leaving at 2:30AM on Friday night/Saturday morning, through the weekend, with more to be added as interest grows. There are also several commercial companies who offer the same route every hour or so for around $48 each way. For those driving, in the last 10 years, the Mexican federal government has embarked on a freeway-building spree including highways directly from the border crossing at Laredo to Monterrey.

A SIMPLE BORDER CROSSING

Crossing the border into Mexico is very simple. All you need is a valid passport or an official passport card. Passport books & cards currently take 4-6 weeks to order and process if not expedited. Books are $100, cards are $45 (only for entry to Mexico/Canada and can only used when traveling by land). No Visas are necessary.

U.S. citizens can apply for a passport book or card here:

You can renew an existing passport here:

MONTERREY: MODERN CITY OF 4 MILLION PEOPLE, WEALTHIEST & SAFEST CITY IN MEXICO

Monterrey is a safe, clean city of 4 million people, and is by far the wealthiest and most modern city in Mexico.
Medicaltourismmag.com on Monterrey.

Monterrey has a two line subway system, a modern airport, great hospitals, and modern industry, culture, architecture, and government, as well as the most renowned university in Mexico. Monterrey was ranked as “The Most Secure City in Latin America” by América Economía magazine.
en.wikipedia.org/wiki/Monterrey

Mercer Quality of Life Survey 2008 mentions Monterrey, to say that Monterrey has lower crime index than New York City. New York is used as a baseline of 100 for the Mercer Personal Safety Index: “Elsewhere in the region, Santo Domingo has the highest ranking at 92 followed by Panama City (96) and Monterrey (99). Bogota (207) in Colombia has the lowest levels of personal safety.”
www.finfacts.ie/qualityoflife.htm

Monterrey has dramatically fewer instances of kidnappings than, as well as has much lower levels of non-international drug trade related violence than, other Latin American cities.
Osac.gov article linked here.

TOWARDS CORRECTING U.S. IGNORANCE ABOUT MEXICO

The conventional wisdom on the U.S.A. side of the border is that Mexico is a third world country, with hopeless problems of crime, chronic lack of education, and crooked government. Anyone who has traveled extensively within Mexico, or has looked at actual statistics, knows these perceptions of Mexico are deeply incorrect. Mexico is a modern, growing nation with industry, free press, modern art, world class universities, and rich culture and history. MtyMx aims to encourage U.S. citizens to travel to Mexico and see Mexico for themselves.

SPOTLIGHTING U.S. TRAVEL RESTRICTIONS ON MEXICANS

The U.S. has strict visa restrictions in place to curtail Mexican immigration. To obtain a tourist visa for travel to the United States, a Mexican must provide proof that they have held a job consistently for 5 years, show that they own property and have maintained a stable address for 5 years. Many creative people in the U.S. or Mexico would find these requirements hard to meet. The policy effectively locks out all but the most established Mexican bands and artists from touring or showing their work in the United States - particularly playing or attending SXSW. MtyMx seeks to reverse this disenfranchisement, by bringing the best of SXSW across the border to play with bands and in front of audiences that have been effectively shut out of the party. There is valid, informed modern art and intellectual music being made in Mexico and Mexican artists deserve their place as part of the international conversation.

ORGANIZERS

TODD P
For nine years, Todd P has been booking and promoting independent all ages shows and parties in New York and other parts of the United States. He has boosted the career of dozens of bands now considered influential, while always remaining close to new projects. Todd, with his expanding team, has developed projects such as the free bi-weekly publication Showpaper, famous for enlisting dozens of other shows and promoters around the New York area every two weeks. Since 2006, Todd has curated and organized a series of alternative events to SXSW in Austin, TX at Ms. Bea’s. The documentary “Todd P Goes to Austin” narrates what happened there in 2008. His next step is, in collaboration with Yo Garage, to move these festivals and bands to Monterrey, showcasing the participation of Mexican bands and visual artists from both countries and elsewhere.
| SITE |- toddpnyc.com

YO GARAGE: DIY PARTNERS IN MONTERREY The promoting duo, Ricardo Ramírez Franco and Leila Ibarra Castro, showcase independent bands in the city of Monterrey. They have their own space called Garage where they put on shows for local acts as well as bands from other states and countries. They collaborate with the bands on recordings, tours and shows in other spaces, also provided in the DIY spirit. This year, besides organizing MtyMx Festival, have been invited to curate a Mexican showcase during SXSW 2010 in Austin.
| SITE |- enelgarage.com

GUESTS CURATORS RHINOCEROPOLIS

The MtyMx Festival is also proud to include guest curators Rhinoceropolis, one of the purest examples of a progressively curated DIY punk space based in Denver, Colorado. Rhinoceropolis hosts local art shows and promotes them with the same fervor as it does the musical acts that pass through its doors. Whatever you’re looking for, you’re guaranteed to see — or hear — something way outside the mainstream any time you visit. Noise artists, psych folk, avant-garde rock and anything else that is just too weird to fit into the universe of more conventionally minded folk finds a home at Rhinoceropolis. They have been instrumental in booking early “before they were famous” shows as well as present day major tours for acts such as Dan Deacon, HEALTH, High Places, Pictureplane and many others.
| SITE |- myspace.com/rhinoceropolis

Field Music adds LA and SF shows in March
February 5th, 2010

VIDEO: “Them That Do Nothing”


MP3: “Measure”


Field Music photographed by Ian West

Bio:

Following a self-imposed three year hiatus Sunderland, England’s Field Music are all set to return with a new 20 track double album on February 16th 2010. Powered, as ever, by brothers and co-frontmen Peter and David Brewis, Field Music’s line up now includes Kev Dosdale (guitar and keys) and Ian Black (bass).

Field Music released two acclaimed albums of unpretentious intricate beauty; 2006’s self titled debut and 2007’s Tones of Town both released on Memphis Industries/Revolver. Shortly after the release of the Tones of Town album Peter and David called time on the band playing their last show with Deerhoof in Leeds in May
2007.

The brothers sited the stifling “indie band” format as the main reason for putting “Field Music as a band” on hiatus and subsequently started working separately, but with a renewed vigour at their 8 Music studio. 2008 saw the release of two solo albums - David’s guitar heavy Sea From Shore album under the moniker School of Language and Peter’s highly acclaimed murder mystery themed Linn Drum, Fairlight and marimba affair, The Week That Was.

After lugging their marimba around the world for a year as The Week That Was the brothers started writing and recording together in early 2009 with the intention of releasing the results under the name Field Music. The new record, Field Music (Measure) will be released by Memphis Industries/Revolver on February 16th 2010.

FIELD MUSIC

03/15 - Cedar Cultural Center, Minneapolis, MN *
03/16 -High Noon Saloon, Madison, WI *
03/17 - Lincoln Hall, Chicago, IL *
03/18 - Blind Pig, Ann Arbor MI *
03/19 - Horseshoe Tavern, Toronto, ONT *
03/20 - Il Motore, Montreal, QC *
03/21 - Great Scott, Allston, MA *
03/23 - Bowery Ballroom, New York, NY *
03/26 - Cafe Du Nord, San Francisco, CA
03/27 - Bootleg Theatrer, Los Angeles, CA
04/01 - KCRW Morning Becomes Eclectic Performance Los Angeles, CA

* = w/ The Clientele

fieldmeasurealbum
Field Music
Field Music (Measure)
(Memphis Industries / Revolver)
Street Date: Feb. 16, 2010

In The Mirror
Them That Do Nothing
Each Time is a New Time
Measure
Effortlessly
Clear Water
Lights Up
All You’d Ever Need to Say
Let’s Write a Book
You and I
The Rest is Noise
Curves of the Needle
Choosing Numbers
The Wheels are in Place
First Come the Wish
Precious Plans
See You Later
Something Familiar
Share the Words
It’s About Time

FIELD MUSIC LINKS:
Artist Page - field-music.co.uk
Label Page - memphis-industries.com
MySpace - myspace.com/fieldmusic

Irish band So Cow announces US tour, preps second LP
February 5th, 2010

MP3: “Halcyon Days”

STREAM: Covers of Tall Dwarfs, Soft Boys, Go-Betweens, Shonen Knife


So Cow

So Cow came into being in late 2006 in Seoul, South Korea. Up to that point, So Cow was plain Brian Kelly, a much-too-young tourism college lecturer and occasional Open Mic participant from Tuam, Ireland. This one-man musical project has now becoming something much bigger than he could/should have hoped for or expected. 2010 sees him release his second LP Meaningless Friendly on Chicago’s Tic Tac Totally Records, as well as extensive touring throughout North America and the European Union, with trips further afield in the offing. Often described as a marriage between any number of groups - expect to see Television Personalities, The Clean, The Nerves, Abba and Swell Maps end up in these pairings - So Cow has also forged a sound that exhibits ambitions and a vision well beyond the dank sheds and freezing bedrooms he tends to record in.

The first 18 months of So Cow saw Kelly operate in any number of often-chaotic live outfits or experiences, entertaining and befuddling audiences in his home of Ireland and his adopted home of South Korea. Rousing choral moments, guitar insanity and occasionally upsetting self-injury were very much par for the course. A series of albums were self-released on Kelly’s own Covert Bear Records, leading to a small army of excitable fans and a great deal of blog-love. The line-up solidified into a power trio, taking in shows with Ted Leo & The Pharmacists, Dan Deacon, Deerhoof, Maximo Park and Frightened Rabbit amongst others. 7″ singles Moon Guen Young (Almost Ready Records, Hawaii) and Commuting (Going Underground Records, Bakersfield) soon found themselves out of print and Ebay-worthy.

2009 saw the release of the So Cow LP, the first release with Tic Tac Totally. A compilation of the best recorded moments from Kelly’s self-released CDs, it found favour with Pitchfork, the Washington Post and Maximumrocknroll, as well as positive write-ups in Italy’s premier music monthly Rumore. The year continued in such fashion, with appearances at the Fence Homegame festival in Fife, Scotland, an exhaustive tour of the US - sharing bills with Love Is All, Girls and Tyvek - and extremely well-received performances at the Primavera Club festival in Madrid and Barcelona. The LP also found a home at South Korea’s Pastel Records, leading to a still-bizarre appearance in Vogue Girl Korea magazine, a first and presumably last for a member of the underground pop community.

The months ahead see not only the Meaningless Friendly LP and accompanying tour, but an appearance on Under the Covers Vol. 2: A Tribute to Paul Collins, Peter Case, and Jack Lee on I Hate Rock N Roll/ Volar Records and an appearance at the Sonic City Festival in Belgium, at the invitation of Deerhoof in April.

LPs - So Cow (2009), Meaningless Friendly (2010, forthcoming) - both on Tic Tac Totally Records, Chicago

7″ - Moon Guen Young (2007, Almost Ready), Commuting (2008, Going Underground)

What the press is saying about So Cow:


“If you’ve ever been young and unlucky in love, the Irish multi-instrumentalist has a song that will strike exactly that kind of emotional chord. Like Television Personalities or the Clean at their most engaging, Kelly plays rickety guitar-pop that sounds homemade without feeling insular.” (Pitchfork)

“Kelly was born too late. Going by the musical handle So Cow, he has the record-it-today, release-it-on-a-cheap-cassette-tomorrow aesthetic of 1983 running through his veins. Kelly is from Tuam, Ireland, and has a mess of songs that recall the spindly, propulsive electric-guitar pop of the Television Personalities, Wreckless Eric and Billy Bragg (if Bragg wasn’t all serious).” (Washington Post)

“Classic herky-jerky DIY punk in the vein of XTC, Wire, all the greats.” (Maximumrocknroll)

“deals in delicious vocal harmonies, clever percussion ideas, sweet stereo tricks and scorching sounds that skim the skyline of great modern guitar music.” (Irish Times)

“the sort of natural, unaffected pop record that Irish acts don’t make often enough” (Hot Press)

“Brian Kelly, another man out of Tuam, sings under the moniker of So Cow. He turns out songs that bristle with a charming, jittery angst - concise, yet twee at times. Not the check-out-my-cutesy-Belle & Sebastian-plush-dolls twee, but more of the check-out-my-Television Personalities-vinyl-and-the-cigarette-burn-in-my-cardigan ilk.” (Tripwire)

“For those of you who aren’t familiar with his music, it’s hard to describe. It jumps around. Nerdish guitar rock? Guitarish nerd indie? It switches from song to song…Something we can all relate to, I think.” (Analogue Magazine)

“This new record, only on vinyl in a truly lovely sleeve, compiles some of So Cow’s best moments from all his releases. It pushes most of my buttons, owing more than a little to the Pastels, Flying Nun, Calvin Johnson, Jeffrey Lewis… but he’s clearly got his own point of view. Highly recommended.” (Artrocker)

“If you haven’t heard last year’s self-titled release on Tic Tac Totally, you should definitely seek it out. It’s a real treat.” (Brooklyn Vegan)

“This is truly grade-A stuff and not to be missed.” (Finest Kiss)

“This was the first year I went to the Fence Homegame in Anstruther, Fife…I watched so many wonderful bands: Meursault, the Phantom Band, So Cow…” (Scott Hutchison, Frightened Rabbit, Pitchfork Guest List)

“Flaming Lips…Radiohead…So Cow…Rolling Stones’ Shine A Light -The IMAX Experience” (Greg Saunier, Deerhoof, Pitchfork - Unforgettable Concerts Of The Decade, Excerpt)

SO COW

Feb 11 Asbury Lanes Asbury Park, New Jersey
Feb 12 Kung Fu Necktie Philadelphia, Pennsylvania
Feb 13 Monster Island Basement Brooklyn, New York %
Feb 14 Cake Shop New York, New York +
Feb 17 O’Brien’s Boston, Massachusetts
Feb 19 AS220 Providence, Rhode Island
Feb 20 Casa Del Popolo Montreal, Quebec
Feb 21 Rancho Relaxo Toronto, Ontario
Feb 22 The Casbah Lounge W Hamilton, Ontario
Feb 23 The Bug Jar Rochester, New York
Feb 24 Beachland Ballroom Cleveland, Ohio
Feb 25 Cafe Bourbon Street Columbus, Ohio
Feb 26 Lager House Detroit, Michigan
Feb 28 Eagle’s Nest Milwaukee, Wisconsin
Mar 01 7th St. Entry Minneapolis, Minnesota
Mar 03 Badlander Missoula, Montana
Mar 04 Empyrean Spokane, Washington
Mar 05 East End Portland, Oregon
Mar 06 Comet Tavern Seattle, Washington
Mar 08 Mama Buzz Cafe Oakland, California
Mar 09 The Crepe Place Santa Cruz, California
Mar 10 The Hemlock Tavern San Francisco, California
Mar 11 The Smell Los Angeles, California
Mar 12 Bar Pink Elephant San Diego, California
Mar 13 Trunk Space Phoenix, Arizona *
Mar 14 El Paso Block Party El Paso, Texas
Mar 16 The Mohawk Austin, Texas
Mar 17 - Mar 20 SXSW Austin, Texas
Mar 22 The Conservatory Oklahoma City, Oklahoma
Mar 23 Record Bar Kansas City, Missouri
Mar 25 Hi-Tone Cafe Memphis, Tennessee
Mar 26 The Belafonte Hattiesburg, Mississippi
Mar 27 529 Atlanta, Georgia
Mar 30 Snug Harbor Charlotte, North Carolina
Mar 31 2702 Lawndale Durham, North Carolina
Apr 01 Black Cat Washington DC #
Apr 02 Ruintown Baltimore, Maryland
Apr 03 Terrace Club Princeton, New Jersey

% = w/ Blank Dogs, Frankie Rose and the Outs, Sisters
+ = w/ Preacher and the Knife, White Blue Yellow and Clouds, Babies
* = w/ Nobunny
# = w/ Smith Westerns

SO COW LINKS:

MySpace - myspace.com/socow

Artist Page - iamsocow.com/

Or, The Whale covers Britney Spears, Alex Robins premieres new song via The Black Harbor
February 5th, 2010

MP3: “Toxic” (Recorded for Cokemachineglow’s Fantasy Podcast)

LIVE: Alex Robins of Or, The Whale on The Black Harbor


VIDEO: “Rusty Gold” (NSFW)



Or, The Whale

“Voices everywhere, caught again in the devil’s snare,” belts lead vocalist and guitarist Alex Robins of San Francisco-based Or, the Whale on the second song of the band’s newest album. The song, “Datura,” is a rollicking ode to the hallucinogenic properties of jimson weed, but could just as easily be a description of the band itself. The soaring vocal harmonies and Neil Young-inspired guitar riffs found on Or, the Whale’s self-titled sophomore album yield a fiendishly potent listening experience, which may even provoke your own hallucinations.

On the heels of 2007’s Light Poles and Pines (which featured the band’s debut single “Call and Response” and helped earn them a 2008 Hollywood Music Award for Best Americana/Roots Artist as well as a coveted spot on Radio & Records Top 100 Americana Artists of 2008), Or, the Whale cannot so easily be pinned down. Tracks like “Black Rabbit,” which features a gale-force chorus above electric feedback and pounding drums, play out as if in an effort to prove just how hard the band can rock. At other times, as on “Never Coming Out”-a paranoid and agoraphobic rail ride that explodes into a final a capella starburst-Or, the Whale showcases their ability to present a reflective, stripped-down arrangement (no small feat for a band with seven members). Likewise, the creeping “Keep Me Up” shows how Led Zeppelin’s “No Quarter” might sound if re-imagined through the mournful wail of pedal steel.

Like any good San Francisco band, Or, the Whale partially owes its inception to the online bulletin board service Craigslist; at one point, Robins and Matt Sartain (guitar and vocals) posted an ad titled “Wanna Form a Sweet Country Rock Band?” and recruited fellow vocalist Lindsay Garfield from a listing she had written looking for a guitar player. From there, the three set about enlisting bandmates Julie Ann Thomasson on keyboards and vocals, Justin Fantl on bass, Jesse Hunt on drums, and later Tim Marcus on pedal steel guitar.

Four years later, after a live appearance on Good Morning America, attention in USA Today, Paste, Magnet, and Billboard magazines, sold-out engagements on both coasts, and shows with the likes of Fleet Foxes, Devil Makes Three, The Dodos, and Two Gallants, Or, The Whale has grown into something that is neither country nor rock, but exists somewhere in the space between the two.

And “space” is certainly the new name of the game for this band. After recording Light Poles and Pines in a single extended weekend, the band made sure to take their time with their new effort, meticulously arranging each song to allow room for each instrument to contribute in the most effective way possible. The result is an album with more complexity and shape, not to mention diversity and emotional impact.

Or, the Whale is a band that will rock you, make you dance, and maybe even inspire you to contribute to their amazing vocal pyrotechnics-voices everywhere, indeed.


OR, THE WHALE

02/27 - Solana Beach, CA Belly Up Tavern
03/09 - Portland, OR Doug Fir Lounge ^
03/10 - Seattle, WA Tractor Tavern ^
03/11 - Cottage Grove, OR Axe and Fiddle ^
03/12 - San Francisco, CA The Independent ^
03/13 - Los Angeles, CA Hotel Cafe ^
03/14 - San Diego, CA Bar Pink ^
03/15 - Tucscon, AZ Club Congress ^
03/17-03/20 - Austin, TX SXSW

^ = w/ The Maldives

orthewhalealbum
Or, the Whale
Or, the Whale
(Seany)
Street Date: Sept. 22, 2009

1. No Love Blues
2. Datura
3. Rusty Gold
4. Never Coming Out
5. Count The Stars
6. Keep Me Up
7. Black Rabbit
8. Giving Up Time
9. Shasta
10. Terrible Pain
11. No Death

OR, THE WHALE LINKS:
MySpace - myspace.com/orthewhale

Label Page - seanyrecords.com

Band Page - orthewhale.com





Recent News

News Archive