News Archive: March 2009

Papercuts team up with Vetiver for Spring tour

Wednesday, March 4th, 2009


Papercuts

MP3: Papercuts - “Future Primative”

Papercuts’ You Can Have What You Want is the newest phase in Jason Quever’s ongoing pop investigations. The relatively earthbound happy-sad pop of Mockingbird & Can’t Go Back is now launched into the vault of the skies. Here Quever delves further into epic, hazy pop using mostly vintage organs, pulsing bass & Kraut-via-Ringo-inspired drum rhythms. Intact from those earlier efforts are Quever’s sense of arrangement and drama, as well as his soaring vocals, draped in reverb gauze.

The words reveal an obsession with mortality and things cosmic, while sonically the voice acts as another instrument. This obsessively all analog effort (no computer processing here whatsoever!) cuts across several eras of dreamy sound: 80’s/90’s Creation & 4AD records, The Zombies, 60’s French pop, even CAN’s Future Days, & then there’s the inevitable connection to former tourmates Beach House & Grizzly Bear. Indeed, Beach House’s Alex Scally helped with some of the arrangements, but You Can Have What You Want is its own strain of addictive pop. For many, it will be the blissful / melancholy jam of the summer.

What the press said about Papercuts’ Can’t Go Back:

“Bay Area singer-songwriter Jason Quever disguises his songs’ weighty themes in lush delicacy. By injecting overtly somber contemplation into summery, feel-good pop instrumentation, Quever wears his West Coast influences - not to mention his heart - on his sleeve.”-NPR

“It takes a few seconds of Papercuts’ second album, Can’t Go Back, to think that maybe you’ve stumbled upon something special, a delicate mood piece made to slice through the din and chaos of modern life.” -Pitchfork (8.3)

“…this is easily the most exciting new pop album of a still young year. Can’t Go Back grabs you with the first flurry of guitar strums, all cool, voluminous tone and three-dimensional space. It’s the first salvo in what emerges as a damn-near perfect album, each cut luminous and distinct from the others, yet arranged in a way that flows easily from start to finish” -Dusted

“…uncorking a clutch of gorgeous emotion-drenched ditties in an affecting, androgynous croon.” -SPIN

“It’s as complete a sunshine daydream as you’re likely to hear this year.” -SF Bay Guardian

“Judging by the majority of Can’t Go Back, Quever has succeeded on a scale that he himself may not have imagined. There is a swirling, dreamlike quality to Quever’s work that is balanced by a forceful yearning that escapes many in the pop field.” -The Dallas Observer

“It’s magnificent. It’s clever and poppy and thought-provoking and, above all else, fun.” -The Stranger

“Proof that sometimes it feels good to feel bad. But like a four track-recording Brian Wilson, his catchy vocal melodies and whip-smart arrangements make these self-produced songs shine warmly” -SF Weekly

PAPERCUTS

04/24 San Francisco, CA Cafe Du Nord *
05/02 Arlington, VA Iota #
05/03 New York, NY Bowery Ballroom #
05/04 Petersborough, NH Glass Museum #
05/05 Winooski, VT Monkey House #
05/06 Allston, MA Harper’s Ferry #
05/07 Brooklyn, NY The Bell House #
05/10 Cleveland, OH Grog Shop #
05/11 Athens, OH Union Bar and Grill #
05/12 Chicago, IL AV-aerie #
05/13 Pontiac, MI The Pike Room at The Crofoot #
05/14 London, ON Call The Office #
05/15 Toronto, ON Horseshoe Tavern #
05/16 Buffalo, NY Big Orbit’s Soundlab #
05/17 Pittsfield, MA Copperworks #

* = w/ Cryptacize, The Finches
# = w/ Vetiver

Papercuts
You Can Have What You Want
(Gnomonsong)
Street date: April 14, 2009

01 Once We Walked In The Sunlight
02 A Dictator’s Lament
03 The Machine Will Tell Us So
04 A Peculiar Hallelujah
05 Jet Plane
06 Dead Love
07 Future Primitive
08 You Can Have What You Want
09 The Void
10 The Wolf

PAPERCUTS LINKS:

MySpace - www.myspace.com/thepapercuts

Press Materials - www.gnomonsong.com/papercuts

Force Field PR & Asthmatic Kitty Records present A SXSW Junk Yard Piznik, Friday March 20!

Wednesday, March 4th, 2009

Force Field PR & Asthmatic Kitty Records Present a SXSW Junk Yard Piznik!

Fri. March 20
Noon - 6pm
at Okay Mountain
1312 E. Cesar Chavez
FREE / OPEN TO THE PUBLIC / ALL AGES
NO NEED TO RSVP
FREE BEER!
BYOP (Bring Your Own Picnic)!

featuring:

DENT MAY & HIS MAGNIFICENT UKULELE
DM STITH
tUnE-yArDs
BENJY FERREE
GRAMPALL JOOKABOX
BOSQUE BROWN
SHINY AROUND THE EDGES

Loney Dear announces headlining U.S. Spring tour

Tuesday, March 3rd, 2009


Loney Dear


MP3: Loney Dear - “Airport Surroundings”

Following up a sold out U.S. tour opening for Andrew Bird, Sweden’s Loney Dear is thrilled to announce its own round of headlining U.S. tour dates which start May 4 in Philadelphia. The band will make several appearances at SXSW in Austin, then will spend the majority of April touring all over Europe before returning to the States in May. And of course, all this touring is in support of the band’s latest album, and first for Polyvinyl, Dear John.

Hailing from the small city of Jonkoping, Sweden, Loney Dear’s primary member Emil Svanängen first began making homemade recordings of delicate, folkish indie pop in the early 2000s. As Loney, Dear (the band has since deleted the comma from its name), Svanängen self-released three homemade CD-Rs through his website: River Fontana Redux, Citadel Band, and Sologne. As buzz developed through MP3 blogs and other new media manifestations, Sub Pop offered Svanängen a contract in 2006. The first proper Loney Dear album, Loney, Noir, was released in early 2007.

Svanängen describes Dear John as a “marvelous album in dark shades with a lava-like glow from underneath.”

Praise for Loney Dear:

“Despair has never sounded so sweet.”–SPIN

“Svanangen’s captivating ruminations sound as if he’s trying to capture the purest essence of joy, albeit with a melancholy underbelly. It’s that bittersweet warmth that makes Loney, Dear’s hushed, pastoral folk songs seep into the heart.”–NPR

“He wraps the ups and downs of a whirlwind romance into tiny packages. You’re left hungry, fully certain that 34 minutes– let alone five– will never be enough of this very, very good thing.”–Pitchfork

“Through soft layers of acoustic instrumentation and vocal harmonies, Svanangen creates a sustained and lasting representation of the classic emotions of regret, peace, and loneliness.” –PopMatters

“Svanängen’s bright falsetto holds his miniature musical tapestries together.” –Austin Chronicle

LONEY DEAR

03/18 - 03/21 Austin, TX SXSW
05/04 Philadelphia, PA Kung Fu Necktie
05/05 Brooklyn, NY Music Hall of Williamsburg
05/06 Boston, MA Great Scott
05/07 Montreal, QC Il Motore
05/08 Toronto, ON Rivoli
05/09 Chicago, IL Schuba’s
05/10 Minneapolis, MN Cedar Cultural Center
05/13 Seattle, WA Crocodile
05/14 Portland, OR Doug Fir
05/15 San Francisco, CA Bottom of The Hill
05/16 Los Angeles, CA Spaceland
05/17 San Diego, CA UC San Diego

Loney Dear
Dear John
(Polyvinyl)
Street date: Jan. 27, 2009

1. Airport Surroundings
2. Everything Turns to You
3. I Was Only Going Out
4. Harsh Words
5. Under a Silent Sea
6. I Got Lost
7. Summers
8. Distant
9. Harm
10. Violent
11. Dear John

LONEY DEAR LINKS:

MySpace: www.myspace.com/loneydear

Press Materials: www.polyvinylrecords.com/press

Carpark/ Paw Tracks SXSW Showcase!

Monday, March 2nd, 2009

THE CARPARK AND PAW TRACKS SXSW SHOWCASE!
Thursday, March 19, Volume, 612 E. 6th St. Austin, TX

Featuring
Ecstatic Sunshine
Lesser Gonzalez Alvarez
Adventure
Ear Pwr
Dent May & His Magnificent Ukulele
Beach House

LINKS
www.carparkrecords.com

www.paw-tracks.com

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