News Archive: October 2009

Tape Deck Mountain plot West Coast tour, share new MP3 perfect for your Halloween mix, plus Ghost Mask Sweepstakes!

Thursday, October 15th, 2009


Tape Deck Mountain

MP3: Tape Deck Mountain - “Bat Lies”

MP3: Tape Deck Mountain - “Ghost Colony”

Ghost is the debut album from Tape Deck Mountain, project of San Diego native Travis Trevisan. Laid off from his job almost a year ago, Trevisan took full advantage of this free time in crafting Tape Deck’s debut album of slacker-fuzzed lullabies. Ghost takes the listener on a journey from lo-fi to hi-fi (self proclaimed “mid-fi” to be exact), from quiet hushes to loud guitar sonics. Influences range from Phil Elverum to My Bloody Valentine and back to the Beach Boys. The record will be released in November via Sacramento label Lefse.

Tape Deck Mountain Ghost Mask Sweepstakes!

The first 100 vinyl orders from Lefse Records of the Tape Deck Mountain debut LP Ghost will include a ghost mask insert. If you take a picture of yourself wearing the mask (see photo) and send it to the band (tapedeckmountain@gmail.com) or post it on your myspace, facebook, friendster, livejournal, twitter, or hip new social network site (and email the band a link to it), and Lefse will send you a secret url where you can download exclusive TDM demos, remixes, & b-sides.

Also, one lucky grand prize winner will be selected by the band

Grand Prize includes:

1. Test pressing of Ghost LP
2. Cassette tape of Travis from TDM’s college radio show on KSDT from 5 years ago
3. Test pressing of Scantrons 7″
4. Personal mix tapes / CDs made for you by each band member
5. Lefse Records grab bag

TAPE DECK MOUNTAIN

10/15 San Diego, CA Bar Pink
11/17 San Diego, CA Soda Bar
11/19 Los Angeles, CA Silverlake Lounge *
11/20 San Francisco, CA Amnesia
11/21 Sacramento, CA Blue Lamp

* = w/ Delta Mirror

Tape Deck Mountain
Ghost
(Lefse)
Street date: Nov. 17, 2009
1. Scantrons
2. F-
3. On My Honor
4. 80/20
5. Dead Doctors Don’t Lie
6. In the Dirt
7. Ghost Colony
8. A+
9. Bat Lies

TAPE DECK MOUNTAIN LINKS:

Myspace: www.myspace.com/tapedeckmountain

Label Page: lefserecords.com

Neon Indian launches tour this week in Florida

Wednesday, October 14th, 2009


Neon Indian

Tour includes dates with Nite Jewel, Real Estate, Japandroids, White Denim, The Smith Westerns


MP3: Neon Indian - “Terminally Chill”

An elusive new project from composer Alan Palomo. Neon Indian delivers equal parts synthetic nostalgia, Dreampop lullabies, and grinding guitar noise to create something eerier than the sum of its parts. Forged after a hazy winter gathering in Texas, this initial batch of tracks were the result of field recordings, record samples, a collection of bizarre synth sounds. Soliciting the visual acrobatics of Video artist Alicia Scardetta, this project is setting out to be a multimedia maelstrom. Orbiting around the themes of drug induced heartbreak, weary afternoons, and lost chances, this music provides a lush soundtrack to the deadbeat exploits of teenage ennui. Neon Indian’s bedroom ballads have already forged Psychic Chasms, the debut full-length. They’ve been compared to New Order, Future Bible Heroes, and most recently said to sound like a saw-wave cutting a Doobie Brother’s song in half. Expect much racket to be had from this fresh-faced crew.

NEON INDIAN

10-14 Gainesville, FL - Spannk
10-15 Miami, FL - RokBar
10-16 Tallahassee, FL - Club Down Under
10-17 Jacksonville, FL - TSI
10-18 Atlanta, GA - The Earl
10-19 Washington, DC - Rock ‘n Roll Hotel *
10-20 Philadelphia, PA - The Barbery #
10-21 New York, NY - Pianos / Force Field PR CMJ Day Party (Alan Palomo DJ Set)
10-24 Brooklyn, NY - ROOT Studios (Jelly NYC / Topman / Noise Problem CMJ Party FREE w/ RSVP)
10-25 Hartford, CT - HPSU Theatre (Wadsworth Antheneum)
10-27 Chicago, IL - Lincoln Hall %
10-28 Detroit, MI - Magic Stick
10-29 Bloomington, IN - The Bishop
10-31 Dallas, TX - Granada Theater $
11-07 Austin, TX - Fun Fun Fun Fest
11-08 Lubbock, TX - Bash Riprock’s
11-09 Santa Fe, NM - Meow Wolf
11-10 Denver, CO - Larimer Lounge
11-11 Salt Lake City, UT - Kilby Court
11-12 Boise, ID - Neurolux
11-13 Guadalajara, Mexico - Lemon Beat
11-14 Mexico City, Mexico - Pasaje América
11-15 Seattle, WA - Nectar Lounge
11-16 Vancouver, BC - Shine Nightclub
11-17 Portland, OR - Mississippi Studios
11-18 Salem, OR - Willamette Univ. Montag Den
11-19 San Francisco, CA - Rickshaw Stop +
11-20 Los Angeles, CA - Echoplex
11-21 Tuscon, AZ - Club Congress +
11-22 Phoenix, AZ - Rhythm Room +

+ = w/ Nite Jewel
* = w/ Japandroids
# = w/ Real Estate
% = w/ The Smith Westerns
$ = w/ White Denim

Neon Indian
Psychic Chasms
(Lefse)
Street date: Oct. 13, 2009

1. (AM)
2. Deadbeat Summer
3. Laughing Gas
4. Terminally Chill
5. (If I knew, I’d tell you)
6. 6669 (i dont know if you know)
7. Should have taken acid with you
8. Mind, Drips
9. Psychic Chasms
10. Local Joke
11. Ephemeral Artery
12. 7000 (reprise)

NEON INDIAN LINKS:

MySpace - www.myspace.com/neonindian
Label Page - lefserecords.com/?page_id=21

Headlights share new music video, live webcast tonight, plus tour launches this week!

Wednesday, October 14th, 2009


Headlights

VIDEO: Headlights - “Get Going” via Spin Earth / 7×7 / The Owl

Live Webcast Tonight at 9PM EST

MP3: Headlights - “I Don’t Mind At All”

Wildlife, Headlights’ poignant third album, stems from particularly troubled beginnings. “It was a very difficult record,” relates guitarist and songwriter Tristan Wraight. While Wraight, fellow songwriter and keyboardist Erin Fein, and drummer Brett Sanderson have been touring and recording since 2004, this year found the band as a five piece for the first time with the addition of bassist Nick Sanborn and, temporarily, guitarist John Owen. Group dynamics are a difficult thing to predict, and the recording process proved tumultuous. After a few months, the band scrapped nearly everything. The fallout from the failed sessions eventually led to Owens’ amicable departure from the band.

“We had been so distracted by the issues that were going on internally, that we stopped thinking about what we were writing, what exactly we were doing, what we were saying, and all the questions you should be asking,” Fein explains.

Fein and Wraight felt a specific urgency in consolidating the band’s characteristically strong songwriting into something more nuanced and confidential. “For the first time this is a significantly personal record for us, and for very real reasons like growing up and people dying that you love,” Wraight says. Wildlife is an album haunted by the absence of those left and leaving and the alienation that comes in the wake of loss.

Fittingly, these emotions find expression in Headlights most arresting music yet. Similar to the band’s sophomore album Some Racing, Some Stopping, Wildlife was recording at home and mixed by Sanderson. It is the result of a streamlined process, one in which the band worked out songs before hand - whether in the next room or on the road - and put them to tape live. “On this record we just sang, that’s the take, that’s the part, there’s the vocals, here’s the mic, sing the song, done,” Wraight says. As a result, Wildlife doesn’t sacrifice immediacy while still retaining the production flourishes that lend allure and a heightened emotional depth to each song.

As if the complexity of what the band worked through can’t be confined to standard verse-chorus structures, Wildlife sees Headlights stretching out instrumentally, letting songs breathe and grow in a manner similar to their accomplished live sets. The band allows leadoff track, “Telephones,” to lift into a soaring, guitar-led coda. “Secrets” tight, claustrophobic verses and cyclic keyboards frame a breathless meditation on grief before erupting into wordless catharsis. The album isn’t without upbeat moments. “I Don’t Mind at All” is a blurred, chugging rocker in the vein of classic shoegaze. On “Get Going” acoustic strumming and a buoyant bassline carry the song to a liquid chorus.

Ultimately though, Wildlife is a work far more elegiac than rousing, where the intimacy and elegance of the songs never fail to remind us of what has been left behind. Rather than collapsing under the duress, Headlights have survived to surface with a collection of exquisite paeans to the transience of our friendships, lives, and aspirations. It is an album defined by moments like “Slow Down Town,” a hushed lament for lost youth, where Fein’s delicate vocals embrace all the vulnerability of adulthood, building into the most heartbreaking piece of Headlights’ career.

WHAT THE PRESS IS SAYING ABOUT WILDLIFE:

“An often gorgeous and heartbreaking record… a worthy seasonal soundtrack for anyone surrounded by falling leaves and fair-weather, er, chums. -The Onion

“When Wildlife starts with layered vocal harmonies draped over prolonged organ chords, it’s one of the most enticing openings to an indie-pop album in the past few years.” -Alternative Press

“…the album is an emotionally powerful, melodically rich work that adds a new dimension to Headlights that is quite welcome.” -All Music Guide

“It’s actually quite easy to listen to Wildlife as a breezily low-key indie pop record if that’s what you’d prefer, though that short-sells the group’s admirable conceptual accomplishments.” - Pitchfork

Wildlife is, somehow, an even better record than its predecessor. It’s quieter and stranger and sadder, a record about death and divorce and departures, and about the fact that we’re all headed toward the same grim finale whether we like it or not.” -eMusic

Wildlife thrives on its blend of moods and paces. The record, as a symbol of growth and variety, is definitely
another successful venture for Headlights.” -Beyond Race


HEADLIGHTS

10/15 Iowa City, IA The Mill
10/16 Dekalb, IL The House
10/17 Chicago, IL Apple Store on Michigan Ave. 2pm
10/17 Chicago, IL Empty Bottle *#
10/18 Pontiac, MI The Pike Room *#
10/19 Rochester, NY Bug Jar *#
10/20 New London, CT The Oasis *#
10/21 Allston, MA Great Scott *#
10/23 Brooklyn, NY Knitting Factory *
10/23 Brooklyn, NY The Bell House / Polyvinyl CMJ Showcase $
10/24 Brooklyn, NY Music Hall of Williamsburg / AAM CMJ Party 1:45pm

10/24 Philadelphia, PA Kung Fu Necktie *#
10/25 Washington, DC DC9 *#
10/26 Chapel Hill, NC Local 506 *#
10/27 Atlanta, GA Drunken Unicorn #
10/28 Orlando, FL Will’s Pub #
10/29 Birmingham, AL Bottletree #
10/30 Memphis, TN Hi Tone Cafe #
10/31 Urbana, IL The Iron Post #
11/04 Omaha, NE The Waiting Room #%
11/05 Denver, CO Hi Dive #%
11/06 Salt Lake City, UT Kilby Court #%
11/07 Boise, ID Neurolux #%
11/08 Seattle, WA Sunset Tavern #%
11/10 Portland, OR Berbati’s Pan #%
11/12 San Francisco, CA Cafe Du Nord #%
11/13 Los Angeles, CA Spaceland #%
11/14 San Diego, CA Soda Bar #%
11/15 Tucson, AZ Plush #%
11/17 San Antonio, TX Rock Bottom #%
11/18 Austin, TX Emo’s #%
11/19 Denton, TX Rubber Gloves #
11/20 Hot Springs, AR Maxine’s Pub #
11/21 St. Louis, MO Firebird #
12/11 Milwaukee, WI Bay View Brew Haus
12/12 Madison, WI Der Rathskellar at Univ. of Wisconsin

* = w/ The Shaky Hands
# = w/ Pomegranates
% = w/ Anni Rossi
$ = w/ Japandroids, James Husband, Cale Parks

Headlights
Wildlife
(Polyvinyl)
Street Date: Oct. 6, 2009

1. Telephones
2. Secrets
3. You and Eye
4. Get Going
5. Love Song For Buddy
6. I Don’t Mind At All
7. Dead Ends
8. Wisconsin Beaches
9. We’re All Animals
10. Teenage Wonder
11. Slow Down Town

HEADLIGHTS LINKS:

Band Page: www.headlightsmusic.com

Myspace: www.myspace.com/headlights

Twitter: twitter.com/headlightsmusic

Press Materials: www.polyvinylrecords.com/press

Freestyle 101 with Doseone and Jel of Themselves on XLR8R TV

Tuesday, October 13th, 2009


Themselves

MP3: Themselves - “You Ain’t It”

DOWNLOAD: Themselves - theFREEhoudini mixtape

XLR8R TV sits in as Themselves’ Doseone teaches his weekly freestyle class with some help from bandmate Jel.

Veteran freestyler Doseone has plenty of wisdom to dole out on cyphers, crutches, “getting open,” and the world beyond Lil Wayne, but as we observed, the schooling is hardly one way. Dose, Jel, and fellow instructor Kev seem to be getting just as much from this circle of budding Oakland MCs (aged 12-18) as they’re giving out. Be sure to watch out for 13-year-old Tyrone-he spits fire!

Themselves Bio:

Seven months after the release of theFREEhoudini - the celebrated mixtape that announced Themselves’ return - Doseone and Jel will drop CrownsDown, a careful and vicious exhibition of mastered rap tactics and sampling ethics. Themselves’ third album proper has been gestating in the gut of this seminal group for some time. It’s both a return to form and a honing of what’s come before (Subtle, cLOUDDEAD, Deep Puddle) - both the opus that these lionhearted two were always meant to make, and the album that their hip-hop-obsessed teenaged selves always hoped to hear.

On CrownsDown, Themselves hold back nothing, welding brute skill to a concrete set of tracks that represents an essential ten commandments of rap. In preparation, Doseone and Jel revisited their beloved hip-hop collections (e.g. Gang Starr, Ultramagnetic MCs, Public Enemy, Saafir) and whittled down the recurring themes that made their favorite records so sturdy. Each song on CrownsDown represents one of these archetypes - you’ll find the “don’t bite” song, the diss track, the story rap, the “bootleggers beware” song, and the “don’t fuck with my DJ” jam, among others. In this way, Themselves revisit something classic in order to invent their own future-school entry to the annals.

Naturally, things kick off with “Back II Burn,” a “guess who’s back” track (co-written by Pedestrian) that bangs forth on good ol’ fashioned synth hits and heavy thump. Rugged slow rhymes and fast-rap pile-ons are delivered with equal aplomb, and Jel ramps up the distortion as Dose spits vitriol: “Whether shining or shunned, none and all can come/and get undone by the two in the selves one.” “Oversleeping” follows with a Bomb Squad-style sampler salvo and a whirlwind of rhyme that reference-checks lyrics from both Nas and Subtle. Next up is “The Mark,” wherein Dose cautions would-be style thieves, while borrowing his own cadence from Ultramag-era Kool Keith. Jel deals out break-driven electro bounce and a furious, unprecedented rap verse of his own, while D-Styles mans the cuts.

“Gangster Of Disbelief” finds Dose dropping science (the fourth archetype) in a rich baritone atop eerie production that harks back to his and Jel’s debut. He connects the dots from Sisyphus to Werner Herzog’s writings to his own neuroses and worldview, while “Daxstrong” takes on the spread-love model, paying proper tribute to Subtle founder Dax Pierson, left paraplegic after the sextet’s 2005 tour accident. Bandmates Jordan Dalrymple and Markus Acher (13 & God, The Notwist) join Dose for an end-song sing-along of TVOTR magnitude. The next two tracks respectively take well-aimed shots at false musical prophets and modern-day bootleggers (MP3-traders). “You Ain’t It” features an Auto-tuned guest spot from Dax himself, playing the melodic foil to Dose’s jagged and rapid fire words, while “Roman Is As Roman Does” serves up electronics-damaged boom-bap for a set of X-Clan-inspired raps.

“Skinning The Drum” rains praise on Jel, who responds in kind with a trademark live MPC performance vivifying the old “Apache” and “Cold Sweat” breaks. On “Deadcatclear II,” Dose is uncommonly nude, spinning a real-life narrative about playing caretaker to a stray cat’s corpse as a child, discovering incredulity for God in the severity of death. All of which lays foundation for the crux end of CrownsDown, “Gold Teeth Will Roll.” Here, over surging cutup soul, Dose growls, “Who will come kill me/taking their rings off like women/because I will swear on their weakness,” casting Themselves in the final archetype: righteous defenders of the culture. This sentiment cuts to the core of CrownsDown. In carving out their own classic, Doseone and Jel not only aim to topple those wrongly kinged, but lay down their own sweat-and-blood-made crowns at the feet of the thing they admire most.

THEMSELVES

11/19 Austin, TX Highball #
11/20 Denton, TX Hailey’s #
11/21 Baton Rouge, LA Spanish Moon #
11/22 New Orleans, LA The Parish Room - HOB #
11/23 Atlanta, GA 529 #
11/24 Chapel Hill, NC Local 506 #
11/25 Washington, DC Rock and Roll Hotel #
11/27 Brooklyn, NY Knitting Factory #
11/28 Cambridge, MA Middle East Downstairs #
11/29 Providence, RI Jerky’s Live Music Hall #
12/01 Toronto, ONT El Mocambo #
12/02 Ann Arbor, MI Blind Pig #
12/03 Chicago, IL Reggie’s #
12/04 Minneapolis, MN Varsity #
12/05 Milwaukee, WI Cactus Club #
12/11 Salt Lake City, UT Kilby Court
12/12 Salt Lake City, UT Urban Lounge

# = w/ Eyedea & Abilities

Themselves
CrownsDown
(Anticon)
Oct. 20, 2009
1. Back II Burn
2. Oversleeping
3. The Mark
4. Gangster Of Disbelief
5. Daxstrong
6. You Ain’t It
7. Roman Is As Roman Does
8. Skinning The Drum
9. Deadcatclear II
10. Gold Teeth Will Roll

Themselves
theFREEhoudini mixtape
(Anticon)
1. Pay That Piper
2. Oversleeping (from the forthcoming CrownsDown LP)
3. Know That To Know This (featuring Aesop Rock)
4.Kick The Ball (featuring Buck 65)
5.1 For No Money (featuring Sole)
6. Rappers Is Interns (freestyle)
7. Party Rap Sucks (featuring Bus Driver)
8. Long Time Coming (featuring Lionesque)
9. Swarm of Bee II
10. Back2burn (featuring Pedestrian)
11. TheMark (featuring D-Styles, from the forthcoming CrownsDown LP)
12. Keys To Ignition (featuring Serengeti)
13. Roman Is As Roman Does (from the forthcoming CrownsDown LP)
14. The Medicine (featuring Slug of Atmosphere)
15. Free&Void
16. Rapping4Money (featuring WHY? / Odd Nosdam / cLOUDDEAD)

mixed by Odd Nosdam

THEMSELVES LINKS:
MySpace - www.myspace.com/themselves

Press Materials - www.anticon.com/pr/themselves.htm

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