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photo credit: Elliott Fuerniss

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Bio

The path of All The Saints is one of a band that has almost deliberately hid in plain view. The story is simple: three Alabama kids raised on a diet of Crimson Tide football and loud “college rock” move to the big city of Atlanta in the early aughts. From here they were noticed by stalwart label Touch & Go and hold the distinction of being the final band being “signed” to the label before Corey decided to stop daily operations. The next decade showed a band not just improving what they do, but instead almost expanding their performances to cinematic war zones. For a three piece, you’d close your eyes and think a battalion of marauders were just around the bend. For those who relished their gigs, their live performances became infrequent occurrences. Then in a moment of weed inspired clarity, Chunklet decided to step in and suggest to the band recording a full length with producer Jason Kingsland. Jason is noted for recording artists such as Deerhunter and Band of Horses amongst a lot of other reputable acts.

In the living room of Chunklet CEO Henry Owings’ house, ATS, Henry and Jason sat down to discuss what has become the band’s third full length Look Like You’re Going Somewhere. Recorded over three days in the Maze Studios over in Cabbagetown, ATS plowed through tracking and overdubs. Over the following months, the record was finished and boy howdy, did they turn in a ringer. In parts sounding like Spacemen 3, The Jesus Lizard, Sonic Youth and Sleep all rolled into one, Look Like You’re Going Somewhere is the record that ATS was destined to make. And now you, dear listener, get to soak in the closest simulacrum to the band’s unstoppable live performances. Sit down, pay attention, and soak it up.

 

Current Release


All The Saints
Look Like You’re Going Somewhere
(Chunklet Industries)
Street Date: June 2019

Track List:

1 – Gold
2 – Lites
3 – Look Like You’re Going Somewhere
4 – Casket
5 – Creak
6 – Feeders
7 – Old Order
8 – Closer, Owner

 

Pics (click for high res)

photo credit: Elliott Fuerniss