Silkworm’s classic Libertine album to see deluxe reissue on LP + CD from Comedy Minus One

Silkworm’s classic Libertine album to see deluxe reissue on LP + CD from Comedy Minus One

STREAM: “Couldn’t You Wait” –


STREAM: “Grotto of Miracles (live)” – 

“Very few bands make even one great album. Silkworm made several, and this is the first.” – Steve Albini

Comedy Minus One announces a long-overdue deluxe reissue of Silkworm’s out-of-print 1994 album Libertine (cmo019), the third and final full-length record by the band as a quartet. This is a double 12″ pressing with a supplementary CD including “The Marco Collins Sessions” as well as two additional recordings from the band’s time at Pachyderm Studio. The album was mastered from the original 1/2″ tapes by Bob Weston at Chicago Mastering Service, and pressed on 150 gram 45 rpm vinyl at Gotta Groove Records.

Preorders are available NOW and will be available until June 11.

Details on all three preorder tiers are at:

http://www.comedyminusone.com/blog/?p=477

In stores Fall 2013.

————-

Silkworm really piss me off. For nigh 20 years now, I’ve tried to explain what it is they do (not “did”-this band lives), and I have failed. I have used dumb phrases like “post-punk in a world where punk never happened.” Also: “music redolent of the new weird America.” I have said these things to friends and strangers, and sometimes even typed them for others to read. All I’ve ever wanted is to figure out is how it is that this music sounds like nothing else, while somehow sounding like everything else-a rock band that has soaked up the past without resorting to pastiche, the bane of so many of their compatriots.

Now, it’s possible I just did it again there, but bear with me-because in order to fully process Libertine you have to understand how strange it sounded in context. Not just odd-but out-of-place, as befits a band that crawled out of Missoula, Montana and drove the wrong direction on I-90, staking a claim in the Pacific Northwest, instead of the Lake Michigan-ic Midwest, where their music would eventually find a more hospitable environment. I mean, can you imagine what it must have been like to be these guys in ’90s Seattle? You know those Charles Peterson live band photos that captured the unbridled intensity and connection between musician and audience, awash in a sea of hair and sweat? I wonder if he’s got one in a drawer somewhere, Silkworm in the natty suits they sometimes wore back then, Andy Cohen placidly crowd-surfing…

But I digress.

Triple-threat songwriting, two cagey guitars circling the drain but never going under, a bassist whose axe looks like an oar and sounds like the metal cable of a suspension bridge, anchored by a drummer clad in little more than gardening gloves whose kick drum (I am told) is the oversize kind favored by marching bands-all in all, a combination as heady as it was brainy. You can hear the rooted rootlessness of the big sky country they left, the austere grandeur of the city where they eventually ended up-and, while they were stuck where they were stuck, a sublimely cerebral version of the stop-start loud-soft dynamics that inexplicably (alright, explicably) put their interregnum city on the global musical map while they were consigned to the margins.

From the dread-beat-and-blood of “There Is a Party In Warsaw Tonight” to the undertow of “Bloody Eyes,” these songs dart in and out of focus, each doing what it sets out to do before yielding the floor. Cohen’s “Grotto of Miracles” crawls like a king snake, with lyrics about smirking at worms and fearing credit reports. Tim Midyett’s “Couldn’t You Wait?” spins riff and wordplay in a way that is somehow heartbreaking. And how exactly Joel Phelps can balance such Iris-Dement-ed vocals over the bounce of “The Cigarette Lighters” is a riddle that will never be solved.

That goes for this whole album. You can’t solve Libertine. That’s its genius. And these guys knew it even if most of the world didn’t. In the maelstrom of the last song, Tim tips this band’s hand: “the dream is a lie.” Too late-we’re dreaming.

Why didn’t he tell us earlier?

Why did he have to wait?

Greg Milner is a writer, journalist and the author of Perfecting Sound Forever

LIbertine-4pg folder(D21002_F4)_A.indd

2XLP / CD TRACKS

1. There Is A Party In Warsaw Tonight
2. Grotto Of Miracles
3. Cotton Girl
4. Yen + Janet Forever
5. Oh How We Laughed
6. The Cigarette Lighters
7. Couldn’t You Wait?
8. A Tunnel
9. Written On The Wind
10. Wild In My Day
11. Bloody Eyes

CD ONLY
12. Insider
13. Grotto Of Miracles (alternate)
14. Couldn’t You Wait?*
15. Scruffy Tumor*
16. Cotton Girl*
17. Raised By Tigers*

* = Marco Collins Sessions

This project is the most expensive/expansive release Comedy Minus One has done to-date, an opportunity to present a definitive edition of one of our all-time favorite albums. The following two month preorder will help gauge exactly how many copies of the Libertine reissue realistically need to be manufactured. It will also help fund this substantial undertaking.

The items offered via preorder will, with the exception of Libertine itself, not be available in stores.

There are three preorder tiers including a distressed look t-shirt displaying the classic “SKWM” band logo in red ink, a “bootleg” .zip containing nearly two hours of previously unheard high quality live renditions of “Libertine”-era songs from the quartet, a frame-able print of an image from the same Mike Hoffman, Jr. photo session that yielded the new album art and a bonus white label 12″ of tracks 12-17 listed above. There will also be a sticker.

Full details:
http://www.comedyminusone.com/blog/?p=477

SILKWORM LINKS:

Wikipedia – http://en.wikipedia.org/wiki/Silkworm_%28band%29

Label – http://www.comedyminusone.com/

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