After a 5 year hiatus that has seen him delve into a range of diverse musical projects, Squarepusher will return with a long awaited album Be Up A Hello, out on the 31st of January. Fans can enjoy a taster as the double-A side 12” Vortrack will be released on the 6th of December, featuring Squarepusher’s Fracture Remix which already caused a stir when it was dropped into his brain-melting breakbeat and jungle set for Warp’s 30th anniversary NTS takeover in June. The album is available for pre-order here
With this new album, Tom Jenkinson (Squarepusher) has returned to using a bewildering array of vintage analogue and digital hardware, the same equipment that first helped him develop his sound in the early ’90s. Something of a 180 degree turn, these synths, effects units and even a Commodore Vic20 are in complete contrast to the tools he used to create 2015’s Damogen Furies – cutting edge software that Tom developed over the course of 15 years. The result is Be Up A Hello, an album that is celebratory with rinsing breakbeat tracks such as Nervelevers and Terminal Slam – classic floor fillers – as well pieces loaded with visceral atmosphere and melody in Squarepusher’s inimitable style. Darker moments such as Vortrack and Mekrev Bass illustrate Tom’s continuing fascination with finely balanced psychological overload. As such, Be Up A Hellogives a nod to the mayhem, joyousness and abandon of the DIY Essex rave scene that was a strong determinant in Tom’s work.
Like the mood of the record, the approach to making the album was fast moving and spontaneous; the nature of the analogue equipment requires many parameters to be finely tuned to generate a given set of sounds, making it difficult to revisit tracks to improve mixes and adjust timbres. Consequently, the music was written in the mode of a diary – pieces were finalised and recorded in a single take, after which Tom moved straight onto the next piece. This attitude to music making was also influenced by the scene the album celebrates – a straightforwardness to music making and putting on gigs.
In stepping away from the Squarepusher moniker these last few years and exploring new territory (such as forming the band Shobaleader One to reinterpret an array of classic Squarepusher tracks, scoring music for a 1 hour CBeebies show and making the album All Night Chroma – a series of compositions recorded on the Royal Festival Hall organ), a renewed perspective emerged and it was applied when reconsidering this old equipment. Therefore, despite returning to hardware he used 25 years ago, Tom is still innovatively exploring new sounds and textures within it. As he himself commented “whilst analogue sounds can be cliched, if you look at the processes that generate them analytically, there are still ways you can create new sonic palates.”
Photo by Donald Milne.
31st Jan – CTM Festival, Berlin – Germany
14th March – Bangface Weekender, Southport – UK
Thu 9th April – Royale, Boston – USA
Sat 11th April – Brooklyn Steel, NYC – USA
Tue 14th April – SAT, Montreal – Canada
Wed 15th April – Danforth, Toronto – Canada
Thu 16th April – St. Andrews, Detroit – USA
Fri 17th April – Metro, Chicago – USA
Sun 19th April – Bluebird Theater, Denver – USA
Wed 22nd April – Neumos, Seattle – USA
Thu 23rd April – Wonder Ballroom, Portland – USA
Fri 24th April – The Midway, SF – USA
Sat 25th April – 1720, LA – USA
1st May – LEV Festival, Gijon – Spain
8th May – Les Nuits Botanique, Brussels – Belgium
9th May – Melkweg, Amsterdam – Netherlands
13th May – Brudenell, Leeds – UK
14th May – Concorde2, Brighton – UK
15th May – Roundhouse, London – UK