press photo credit: Myles Katherine
Today Lindsay Clark is sharing her new “Evening Star” single/video which features William Tyler on guitar. Check out the premiere via Week In Pop. Carpe Noctem is due out on June 24th via Audiosport Records. Pre-order the LP HERE.
Lindsay shared some words behind the meaning of the single “I wrote “Evening Star” one winter when I was visiting my hometown in the mountains of Northern California, and the river there. I was struggling with some patterns in my life that kept ending in loss, but I was also in a time where I felt a sense of deep internal change. I had gone down to the river one day and felt soothed by the sound of water against rock. That feeling in the song is set against moon rise and the change of day into night, and is reflected in the changing harmony and rhythmic patterns of the song. When we went to record the song at Panoramic (in Stinson Beach, CA), I wanted to capture the darkness of night and the depth that water has, and William Tyler’s guitar and bass parts added so much texture to the song. I always add a lot of layered vocals to my songs, and this one has a lot of those as well to create swells. Really, the song is about change and beginning a new cycle – feeling that before it’s happened, but anticipating it.”
Lindsay Clark finds balance between traditional folk, English folk, country and her own version of experimental folk that seems to come from within. With influences ranging from the Beach Boys, Elizabeth Cotton, Joni Mitchell, Appalachian folk, her classical upbringing, and her father’s record collection, she blends many worlds into a uniquely warm sound. She has carved out a unique and vibrant place as an artist with her penchant for poetry, rich harmony, and a style of self-taught fingerpicking influenced by Nick Drake, John Fahey, and others.
Originally from the small gold rush town of Nevada City, CA, she now resides in Portland, OR. Her sound has been described as “folk with angelic vocals washing over smooth edges” (1859 Magazine). She has shared the stage with musicians such as Alela Diane, Nat Baldwin (Dirty Projectors), Adam Torres, Ryan Francesconi (Joanna Newsom), Laura Gibson, Kaitlyn Aurelia Smith and Michael Hurley. “Crystalline” was released in 2018 via boutique German label Oscarson. Her forthcoming album features William Tyler, Alela Diane, Sage Fisher (Dolphin Midwives), Alexis Mahler (Shook Twins) & Andy Rayborn (Paper Gates) and was engineered, co-produced, co-arranged with Jeremy Harris (Devendra Banhart/Vetiver), with additional engineering by Ryan Oxford (Y La Bamba) and Brandon Eggleston (Mountain Goats), out 6/24/22 with Audiosport Records (NL). She has also recently contributed to vocals on Michael Hurley’s latest release, Time of the Foxgloves (No Quarter Records).
“A rare exhibition of the weight that minimalism can bear in contemporary, reflective folk music.” – Popmatters
6/13 Club Teegee – Los Angeles, CA
6/15 So Far Sounds – Oakland, CA
6/17 So Far Sounds – Sacramento, CA
6/18 The Lost Church – Santa Rosa, CA
6/19 Make Out Room – San Francisco, CA
6/24 The Old Church – Portland, OR (Album Release Show)